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Perennial Seller: The Art of Making and Marketing Work that Lasts
Bestselling author and marketing strategist Ryan Holiday reveals to creatives of all stripes--authors, entrepreneurs, musicians, filmmakers, fine artists--how a classic work is made and marketed.
In Hollywood, a movie is given a single weekend to succeed before being written off. In Silicon Valley, a startup is a failure if it doesn't go viral or rake in venture capital from the start. In publishing, a book that took years to write is given less than three months to sink or swim. These brutally shortsighted attitudes have choked the world with instructions for engineering a flash-in-the-pan and littered the media landscape with fads and flops.
Meanwhile, the greats, the stalwarts, the household names, are those who focus on a singularly different, possibly heretical, idea: that their work can and should last. For instance, Zildjian has been one of the premier makers of cymbals since its founding in 1623--and shows no signs of quitting. Iron Maiden has filled stadiums for forty years, moving some 85 million albums without the help of radio or television. Robert Greene's first book, The 48 Laws of Power, didn't hit the bestseller lists until over a decade after it was first released, and since then has sold more than 1 million copies worldwide.
These works Ryan Holiday calls Perennial Sellers. They exist in every creative industry--timeless, dependable resources and unsung moneymakers, paying like blue chip annuities. Like gold or land, they increase in value over time, outlasting and outreaching any competition. And they're not flukes or lucky breaks--they were built to last from the outset.
Holiday shows readers how to make and market their own classic work. Featuring interviews with some of the world's greatest creatives, and grounded in a deep study of the classics in every genre, this exciting new book empowers readers with a foundational set of innovative principles. Whether you have a book or a business, a song or the next great screenplay, this book reveals the recipe for perennial success.
In Hollywood, a movie is given a single weekend to succeed before being written off. In Silicon Valley, a startup is a failure if it doesn't go viral or rake in venture capital from the start. In publishing, a book that took years to write is given less than three months to sink or swim. These brutally shortsighted attitudes have choked the world with instructions for engineering a flash-in-the-pan and littered the media landscape with fads and flops.
Meanwhile, the greats, the stalwarts, the household names, are those who focus on a singularly different, possibly heretical, idea: that their work can and should last. For instance, Zildjian has been one of the premier makers of cymbals since its founding in 1623--and shows no signs of quitting. Iron Maiden has filled stadiums for forty years, moving some 85 million albums without the help of radio or television. Robert Greene's first book, The 48 Laws of Power, didn't hit the bestseller lists until over a decade after it was first released, and since then has sold more than 1 million copies worldwide.
These works Ryan Holiday calls Perennial Sellers. They exist in every creative industry--timeless, dependable resources and unsung moneymakers, paying like blue chip annuities. Like gold or land, they increase in value over time, outlasting and outreaching any competition. And they're not flukes or lucky breaks--they were built to last from the outset.
Holiday shows readers how to make and market their own classic work. Featuring interviews with some of the world's greatest creatives, and grounded in a deep study of the classics in every genre, this exciting new book empowers readers with a foundational set of innovative principles. Whether you have a book or a business, a song or the next great screenplay, this book reveals the recipe for perennial success.
256 pages, Hardcover
First published January 1, 2017
920 people are currently reading
8,289 people want to read
About the author
Ryan Holiday
93 books17k followersRyan Holiday is media strategist for notorious clients like Tucker Max and Dov Charney. After dropping out of college at 19 to apprentice under the strategist Robert Greene, he went on to advise many bestselling authors and multi-platinum musicians. He is the Director of Marketing at American Apparel, where his work in advertising was internationally known. His strategies are used as case studies by Twitter, YouTube, and Google, and have been written about in AdAge, the New York Times, Gawker, and Fast Company. He is the author is *Trust Me, I'm Lying: Confessions of a Media Manipulator*, which is due out in July. He currently lives in New Orleans, with his rebellious puppy, Hanno.
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July 25, 2017
Ryan Holiday’s latest book - Perennial Seller — walks readers through Ryan’s views on what it takes to build a creative work that lasts. It’s one part product, and one part marketing.
Here’s my key takeaways from the book:
> Most perennial sellers weren’t hits out of the gate when they launched. While nailing a good launch is important, when you have a long-term view of how you market and grow your product, the initial reaction by the market doesn’t always determine it’s long term success.
Take for example Avatar, which is the most commercially successful box office movie ever — that no one ever quotes or remembers scenes from. It definitely achieved success, but not the long-lasting impact (and revenues) that Star Wars created. Unlike Avatar, Star Wars wasn’t even #1 at the box office when it debuted in theatres.
> Most “business experts” try to market their hacks and shortcuts to optimize for quick and obvious success. They track their success in “microseconds” versus “years”. Even though people want to do things that matter, this short term thinking leads to them focusing on things that don’t.
> Perennial sellers are products we recommend even if they are no longer trendy or brand-new. One example is Zildjian Cymbals. If you look at any famous drummer, you’ll see him using those cymbals on their drum kit. The company has been around since 1623 making the same product.
> Perennial sellers don’t just refuse to die, they actually grow stronger with each passing day. For example, Ryan Holiday’s own book, The Obstacle is the Way, has grown in popularity since its initial launch many years ago, especially once it got into the hands of head coaches in the NFL, which led, two years later, to a huge feature in Sports Illustrated.
> Another example is Ted Turner buying MGM’s film library, which includes films like Gone with the Wind, and smaller films like the Postman. The library generates $100MM+ in revenues per year.
> Another example is Michael Jackson, who bought the rights to all of The Beatles music. He arguably makes more money from The Beatles library than from his own music.
> Another example are the works of Shakespeare, despite being available for free online, it still sells hundreds of thousands of copies per year
> The first step in building a perennial seller is actually focusing on building a quality product or work of art. The better your product, the better your marketing will be. Crappy products don’t survive. Microsoft is a great example of how it’s perennial seller, Microsoft Office, continues to generate cash flows to this day while they’ve wasted billions on building and marketing products like Bing or the Zune
> To produce meaningful work, you have to want to do so. Unfortunately, many people want the benefits of great work without enduring any of the difficulty involved.
> Similarly, outsourcing or having someone else work on your idea is never a path to building something that lasts. “There’s no firm that can produce a timeless work of art on your behalf for a flat fee.”
> A willingness to trade of something — time, comfort, easy, money, recognition — lies at the heart of every great work. If it didn’t everyone would do it.
> “Art is the kind of marathon where you cross the finish line, and instead of getting a medal placed around your neck, the volunteers roughly grab you by the shoulders and walk you over to the starting line of another marathon.” What this really means is, when creating meaningful work, the job doesn’t just stop at creating it, but it also extends into marketing and promoting the work to ensure it’s reached by and impacts as many people as possible.
> You must be patient not only in creating you work, but also viewing the success of the work with a very long term view. If it means spending an extra 10 days now to perfect the product, it won’t mean much 10 years later.
> You should strive to create things that will be around at least for the next 10 years. There’s something called the Lindy effect that if something’s been around for a long-time, the chances that it lasts for a longer time increases exponentially with age. Because email has been around for 50 years, there’s a high likelihood that it will continue to be here for another 50 years.
> It’s sometimes better to draw inspiration from things that have lasted in other industries than focusing on what is popular in your own industry when thinking about building for the long-term
> Creative ideas must be given space to develop. But it also be developed incrementally, bit by bit. There is benefit to sitting and thinking, but at some point you need to put things into market to see how people react to small pieces of it. Continue to create and launch incrementally until your work begins to form itself
> “Mediocre ideas that contain buried with then them the seed of much better ideas.”
> “A book should be an article before it’s a book, and a dinner conversation before it’s an article. See how things go before going all in.”
> Define what you’re doing and not doing on a project. Many creators want to be for everyone and as a result end up being for no one. Sometimes it helps to pick out one person you know and create the product for that specific real individual.
> Often “creating something for yourself” is an excuse, ego in disguise, for not thinking about your audience instead
> Non-fiction work should be “very entertaining” or “extremely practical”
> Questions to answer before every project:
>> What does this teach?
>> What does this solve?
>> How am I entertaining?
>> What am I giving?
>> What re we offering?
>> What are we sharing?
> Summarize what you’re working on in:
>> One sentence
>> One Paragraph
>> One Page
If you can’t do this clearly, you’ll need to refine the idea further
> The Grateful Dead (a band) weren’t trying to be the best at anything; they were trying to be the only ones doing what they were doing.
> Positioning is really important as we have to take this thing that means so much to us personal and prime it to mean something to other people too.
> If you’re not amazing every facet, you’re replaceable.
> Feedback is important — but you must understand if you’re not taking it because it’s wrong, or because you are afraid to do more work.
> One interesting test of ideas is the LA Car Test where songwriter Max Martin (writer for Adele, Bon Jovi… etc.) plays an unreleased track while he drives up and down the LA Strip, envisioning whether or not this song fits within the environment he hopes it will thrive in
> Are early users you’ve given prototypes to already addicted to their early versions of the product?
> Picking a “genre” for what you do is really important as it helps people pick and discover you from a world of options
> There is sometimes value in just restating other people’s ideas in a better way. For example, Malcolm Gladwell has made a career of popularizing other peoples academic works. He creates value by just articulating their findings than the original researchers could.
> It’s often easier to reach a smaller well defined group first, WOW them, then expand from there, so long as you don’t alienate others
> You must avoid the trap of making this about you because you won’t be the one buying it.
> Being better isn’t enough always as your customer may not even understand why it’s important that you’re better. Often the best way is to give them or show them your product for free.
> A good product is your best sales and marketing tool.
> “If you can’t be first in a category, setup a new category you can be first in.”
> Knowing your PURPOSE of WHY you’re doing something is important as you need to know if you achieved it, if you’re making decisions that jeopardize that mission, and to ensure you turn down exciting distractions that might take you away from it.
> Steve Jobs was successful because he didn’t think about what other people would do, or what he should do, he did what he felt was right for the company long term. This is very similar to how my favourite coach, Bill Belichick, approached his work.
> “No one cares about what you’ve made. How can they care much about something they haven’t even experienced the benefits of yet? People are busy, they have no idea why they should care about this thing. No one is eagerly awaiting it."
> A future pereniall seller is a creator who doesn’t believe he is god’s gift to the world, bus instead thinks he has created something of value.
> “Anything that requires advertising to survive will on a long enough timeline cease to be economically feasible”
> Look up Cass Sunstien's study on why Star Wars was so successful
> Sometimes it’s better to wait before launching until you’re equipped to fight the battle. A general would never go into a battle without knowing what he had at his disposal and, if he knew he was under matched, would not even think about pulling the trigger.
> Even giving away free trials “Cost” the end user their time and mental energy. If you’re new to the game, giving things away for free may even be hard.
> The right price for something is to be as cheap aspkossible without damaging the perception of your product
> Classics are classics because (1) it’s a good product and (2) it’s been consumed by a lot of people — the best way to do #2 is to make it as cheap as possible
> Think about how to make your audience look good instead of yourself
> Marc Ecko built his brand by sending influencers free stuff that he thought they would appreciate without asking for anything in return
> “I wasn’t asking for anything. I was making offers” — Ryan Holiday on how he got to know reporters and celebrities at American Apparel
> “Be a person. Be nice. Think relationship first and transaction second.”
> “Media outlets have trouble getting people to pay for their own product. What makes you so sure they’re going to be able to convince their readers and viewers to buy yours?”
> “The hard work is finding the influencers of the influencers”
> When you “trade up the chain” and go from smaller publications to bigger publications over time, it creates momentum for your work, as opposed to a big flash of publicity and then nothing
> “The most newsworthy thing to do is usually the one you’re most afraid of”
> “Paying for media always seems easier than earning it.”
> “Effectiveness was our metric, not existence”
> “When you do something unsuspected, it almost always does better than going dollar for dollar with major advertisers.”
> You can deploy “earned media arbitrage” buy buying small media in once place, then creating a story around that media buy to get it amplified in other news outlets
> Becoming a perennial seller requires that you build a fan base before and after a project
> Ryan knew in 2008 that he wanted be a big author, so nearly 10 years ago he created an email list where he sent people book recommendations, knowing one day he would use that list to eventually sell his books. He had a very long-term view of things.
> “You can pay for influence the way you can pay for sex, but from what I understand, neither is quite the same as when you get it the old-fashioned way.”
> On Networking; never dismiss anyone, play the long game, focus on pre-VIPs.
> Building an email list is an incredibly valuable asset to have
> More great work is often the best way to market yourself and your older works of art. Robert Green’s saw his sales really grow after his 3rd book.
> Luck also plays a huge factor in your success — you should strive to be within striking distance of your goal at all times, and then hopefully luck pushes you over the finish line.
Links to check out: www.perennialseller.com/gift or email at hello@perennialseller.com
Here’s some memorable quotes from other people quoted in the book that I enjoyed:
- “Whom the gods wish to destroy, they first call promising”
- “People who are thinking about things other than making the best product never make the best product.” - Phil Libin
- “The best way to increase a startups growth rate is to make the product so good people recommend it to their fiends” - Paul Graham
- “Lots of people want to be the noun without doing the verb” (Austin Kleon)
- “Write on subjects in which you have enough interest on your own to see through all the stops, starts, hesitations and other impediments along the way.” - John McPhee
- “Focus on the things that don’t change.” - Jeff Bezos
- “Getting into action generates inspiration. Don’t cop out waiting for inspiration to get you back into action. It won’t” - Robert Evans
- “Only is better than best” - Srinivas Rao
- “If you are working on something original, you will have to ram the idea down their throats” (on being worried about someone stealing your idea)
- “Platform is not a stepping stone. IT’s the finish line.” - Casey Neistat
- “Be a boxer, not a fencer.” A boxers weapon is part of him (alluding to what a platform is versus paying for media)
Here’s my key takeaways from the book:
> Most perennial sellers weren’t hits out of the gate when they launched. While nailing a good launch is important, when you have a long-term view of how you market and grow your product, the initial reaction by the market doesn’t always determine it’s long term success.
Take for example Avatar, which is the most commercially successful box office movie ever — that no one ever quotes or remembers scenes from. It definitely achieved success, but not the long-lasting impact (and revenues) that Star Wars created. Unlike Avatar, Star Wars wasn’t even #1 at the box office when it debuted in theatres.
> Most “business experts” try to market their hacks and shortcuts to optimize for quick and obvious success. They track their success in “microseconds” versus “years”. Even though people want to do things that matter, this short term thinking leads to them focusing on things that don’t.
> Perennial sellers are products we recommend even if they are no longer trendy or brand-new. One example is Zildjian Cymbals. If you look at any famous drummer, you’ll see him using those cymbals on their drum kit. The company has been around since 1623 making the same product.
> Perennial sellers don’t just refuse to die, they actually grow stronger with each passing day. For example, Ryan Holiday’s own book, The Obstacle is the Way, has grown in popularity since its initial launch many years ago, especially once it got into the hands of head coaches in the NFL, which led, two years later, to a huge feature in Sports Illustrated.
> Another example is Ted Turner buying MGM’s film library, which includes films like Gone with the Wind, and smaller films like the Postman. The library generates $100MM+ in revenues per year.
> Another example is Michael Jackson, who bought the rights to all of The Beatles music. He arguably makes more money from The Beatles library than from his own music.
> Another example are the works of Shakespeare, despite being available for free online, it still sells hundreds of thousands of copies per year
> The first step in building a perennial seller is actually focusing on building a quality product or work of art. The better your product, the better your marketing will be. Crappy products don’t survive. Microsoft is a great example of how it’s perennial seller, Microsoft Office, continues to generate cash flows to this day while they’ve wasted billions on building and marketing products like Bing or the Zune
> To produce meaningful work, you have to want to do so. Unfortunately, many people want the benefits of great work without enduring any of the difficulty involved.
> Similarly, outsourcing or having someone else work on your idea is never a path to building something that lasts. “There’s no firm that can produce a timeless work of art on your behalf for a flat fee.”
> A willingness to trade of something — time, comfort, easy, money, recognition — lies at the heart of every great work. If it didn’t everyone would do it.
> “Art is the kind of marathon where you cross the finish line, and instead of getting a medal placed around your neck, the volunteers roughly grab you by the shoulders and walk you over to the starting line of another marathon.” What this really means is, when creating meaningful work, the job doesn’t just stop at creating it, but it also extends into marketing and promoting the work to ensure it’s reached by and impacts as many people as possible.
> You must be patient not only in creating you work, but also viewing the success of the work with a very long term view. If it means spending an extra 10 days now to perfect the product, it won’t mean much 10 years later.
> You should strive to create things that will be around at least for the next 10 years. There’s something called the Lindy effect that if something’s been around for a long-time, the chances that it lasts for a longer time increases exponentially with age. Because email has been around for 50 years, there’s a high likelihood that it will continue to be here for another 50 years.
> It’s sometimes better to draw inspiration from things that have lasted in other industries than focusing on what is popular in your own industry when thinking about building for the long-term
> Creative ideas must be given space to develop. But it also be developed incrementally, bit by bit. There is benefit to sitting and thinking, but at some point you need to put things into market to see how people react to small pieces of it. Continue to create and launch incrementally until your work begins to form itself
> “Mediocre ideas that contain buried with then them the seed of much better ideas.”
> “A book should be an article before it’s a book, and a dinner conversation before it’s an article. See how things go before going all in.”
> Define what you’re doing and not doing on a project. Many creators want to be for everyone and as a result end up being for no one. Sometimes it helps to pick out one person you know and create the product for that specific real individual.
> Often “creating something for yourself” is an excuse, ego in disguise, for not thinking about your audience instead
> Non-fiction work should be “very entertaining” or “extremely practical”
> Questions to answer before every project:
>> What does this teach?
>> What does this solve?
>> How am I entertaining?
>> What am I giving?
>> What re we offering?
>> What are we sharing?
> Summarize what you’re working on in:
>> One sentence
>> One Paragraph
>> One Page
If you can’t do this clearly, you’ll need to refine the idea further
> The Grateful Dead (a band) weren’t trying to be the best at anything; they were trying to be the only ones doing what they were doing.
> Positioning is really important as we have to take this thing that means so much to us personal and prime it to mean something to other people too.
> If you’re not amazing every facet, you’re replaceable.
> Feedback is important — but you must understand if you’re not taking it because it’s wrong, or because you are afraid to do more work.
> One interesting test of ideas is the LA Car Test where songwriter Max Martin (writer for Adele, Bon Jovi… etc.) plays an unreleased track while he drives up and down the LA Strip, envisioning whether or not this song fits within the environment he hopes it will thrive in
> Are early users you’ve given prototypes to already addicted to their early versions of the product?
> Picking a “genre” for what you do is really important as it helps people pick and discover you from a world of options
> There is sometimes value in just restating other people’s ideas in a better way. For example, Malcolm Gladwell has made a career of popularizing other peoples academic works. He creates value by just articulating their findings than the original researchers could.
> It’s often easier to reach a smaller well defined group first, WOW them, then expand from there, so long as you don’t alienate others
> You must avoid the trap of making this about you because you won’t be the one buying it.
> Being better isn’t enough always as your customer may not even understand why it’s important that you’re better. Often the best way is to give them or show them your product for free.
> A good product is your best sales and marketing tool.
> “If you can’t be first in a category, setup a new category you can be first in.”
> Knowing your PURPOSE of WHY you’re doing something is important as you need to know if you achieved it, if you’re making decisions that jeopardize that mission, and to ensure you turn down exciting distractions that might take you away from it.
> Steve Jobs was successful because he didn’t think about what other people would do, or what he should do, he did what he felt was right for the company long term. This is very similar to how my favourite coach, Bill Belichick, approached his work.
> “No one cares about what you’ve made. How can they care much about something they haven’t even experienced the benefits of yet? People are busy, they have no idea why they should care about this thing. No one is eagerly awaiting it."
> A future pereniall seller is a creator who doesn’t believe he is god’s gift to the world, bus instead thinks he has created something of value.
> “Anything that requires advertising to survive will on a long enough timeline cease to be economically feasible”
> Look up Cass Sunstien's study on why Star Wars was so successful
> Sometimes it’s better to wait before launching until you’re equipped to fight the battle. A general would never go into a battle without knowing what he had at his disposal and, if he knew he was under matched, would not even think about pulling the trigger.
> Even giving away free trials “Cost” the end user their time and mental energy. If you’re new to the game, giving things away for free may even be hard.
> The right price for something is to be as cheap aspkossible without damaging the perception of your product
> Classics are classics because (1) it’s a good product and (2) it’s been consumed by a lot of people — the best way to do #2 is to make it as cheap as possible
> Think about how to make your audience look good instead of yourself
> Marc Ecko built his brand by sending influencers free stuff that he thought they would appreciate without asking for anything in return
> “I wasn’t asking for anything. I was making offers” — Ryan Holiday on how he got to know reporters and celebrities at American Apparel
> “Be a person. Be nice. Think relationship first and transaction second.”
> “Media outlets have trouble getting people to pay for their own product. What makes you so sure they’re going to be able to convince their readers and viewers to buy yours?”
> “The hard work is finding the influencers of the influencers”
> When you “trade up the chain” and go from smaller publications to bigger publications over time, it creates momentum for your work, as opposed to a big flash of publicity and then nothing
> “The most newsworthy thing to do is usually the one you’re most afraid of”
> “Paying for media always seems easier than earning it.”
> “Effectiveness was our metric, not existence”
> “When you do something unsuspected, it almost always does better than going dollar for dollar with major advertisers.”
> You can deploy “earned media arbitrage” buy buying small media in once place, then creating a story around that media buy to get it amplified in other news outlets
> Becoming a perennial seller requires that you build a fan base before and after a project
> Ryan knew in 2008 that he wanted be a big author, so nearly 10 years ago he created an email list where he sent people book recommendations, knowing one day he would use that list to eventually sell his books. He had a very long-term view of things.
> “You can pay for influence the way you can pay for sex, but from what I understand, neither is quite the same as when you get it the old-fashioned way.”
> On Networking; never dismiss anyone, play the long game, focus on pre-VIPs.
> Building an email list is an incredibly valuable asset to have
> More great work is often the best way to market yourself and your older works of art. Robert Green’s saw his sales really grow after his 3rd book.
> Luck also plays a huge factor in your success — you should strive to be within striking distance of your goal at all times, and then hopefully luck pushes you over the finish line.
Links to check out: www.perennialseller.com/gift or email at hello@perennialseller.com
Here’s some memorable quotes from other people quoted in the book that I enjoyed:
- “Whom the gods wish to destroy, they first call promising”
- “People who are thinking about things other than making the best product never make the best product.” - Phil Libin
- “The best way to increase a startups growth rate is to make the product so good people recommend it to their fiends” - Paul Graham
- “Lots of people want to be the noun without doing the verb” (Austin Kleon)
- “Write on subjects in which you have enough interest on your own to see through all the stops, starts, hesitations and other impediments along the way.” - John McPhee
- “Focus on the things that don’t change.” - Jeff Bezos
- “Getting into action generates inspiration. Don’t cop out waiting for inspiration to get you back into action. It won’t” - Robert Evans
- “Only is better than best” - Srinivas Rao
- “If you are working on something original, you will have to ram the idea down their throats” (on being worried about someone stealing your idea)
- “Platform is not a stepping stone. IT’s the finish line.” - Casey Neistat
- “Be a boxer, not a fencer.” A boxers weapon is part of him (alluding to what a platform is versus paying for media)
Read
January 5, 2021Someone told me that this was one of the best books they'd ever read about how to engage with an audience, so I had to read it. Practical, very useful. I did several of the exercises to help clarify my thinking about my next book project.
June 28, 2017
Just because you've created something doesn't mean someone will want it.
Whether it's a book, art, music or some other product of your imagination, your job is to make others want it. Some will be satisfied with a quick payoff and move on to another project.
In this book, Ryan Holiday offers strategies for making your creation a lasting--a perennial--seller, a project with an unlimited lifetime of reward. His blueprint is practical and filled with examples of artists in many fields who have achieved this kind of success.
He emphasizes from the start, it isn't easy. It takes work, lots of hard work, and dedication to the process.
Many self-help books raise false expectations. Holiday is frank in saying you can do everything right and still fail. There's that little thing called luck that's a factor in every enterprise. Still, do everything right and it's more likely luck will follow. You can't succeed without trying.
Holiday divides his blueprint into four parts--the creative process, positioning, marketing and platform. All are essential if you want to achieve the goal of creating a perennial seller. Follow the process and you'll have a product people will care about and want.
Reading this book will inspire you. It's a worthy addition to any creative person's book shelves.
Whether it's a book, art, music or some other product of your imagination, your job is to make others want it. Some will be satisfied with a quick payoff and move on to another project.
In this book, Ryan Holiday offers strategies for making your creation a lasting--a perennial--seller, a project with an unlimited lifetime of reward. His blueprint is practical and filled with examples of artists in many fields who have achieved this kind of success.
He emphasizes from the start, it isn't easy. It takes work, lots of hard work, and dedication to the process.
Many self-help books raise false expectations. Holiday is frank in saying you can do everything right and still fail. There's that little thing called luck that's a factor in every enterprise. Still, do everything right and it's more likely luck will follow. You can't succeed without trying.
Holiday divides his blueprint into four parts--the creative process, positioning, marketing and platform. All are essential if you want to achieve the goal of creating a perennial seller. Follow the process and you'll have a product people will care about and want.
Reading this book will inspire you. It's a worthy addition to any creative person's book shelves.
October 4, 2018
This is one of those books that's a brilliant condensation of wisdom pertaining to X thing (in this case, see the subtitle for the value of X). The use you get out of it will be proportional to how *few* books you've read on surrounding topics. I've probably got it covered 7/10, so my reactions were mostly along the lines of "oh, that's a good reminder." However, if you are a creative person who wants to get a good, bullshit-free understanding the commercial/marketing aspects of art, you should get this book at once. It may be the only one you'll need.
Neistat was expressing a truth every creator learns, one that is all the more essential in an online world where things can be shared with the click of a button: *Ideas are cheap*. Anyone can have one. There are millions of notebooks and Evernote folders packed with ideas, floating out there in the digital ether or languishing on dusty bookshelves. The difference between a great work and an *idea* for a great work is all the sweat, time, effort, and agony that go into engaging that idea and turning it into something real. That difference is not trivial. If great work were easy to produce, a lot more people would do it.
August 3, 2017
In one part of Perennial Seller, Ryan Holiday shares advice he got from an unnamed successful author who said that the key to success in non-fiction is to be “very entertaining” or “extremely practical.” Holiday definitely chose plan B.
Perennial Seller is full of practical, timeless advice. It's well written, flows smoothly, and is easy to digest. While there are no groundbreaking new strategies here, what’s new (to me at least) is its argument to shift to a longer term focus. Perennial Seller reinforced in me the importance of planning for the long haul instead of shooting for short term rewards. I found this to be compelling and much-needed advice, and is why I wholeheartedly recommend it to any creator.
The problem is the idea of being a “perennial seller” isn’t sexy, and the book doesn't do it many favors. (The cover is sexy though!) Changing people’s horizons from short to long term to want to create a perennial seller instead of a viral hit is hard. As the Heath brothers outline in their book Switch, to make such a change you need to “direct the rider” (appeal to the rational brain) and “motivate the elephant” (inspire the heart). Perennial Seller does a great job of the former, but not the latter. It didn’t make me jump out of my seat to sit back down and create my own perennial seller.
Again, I found the book to be highly practical and well worth the read. And hopefully it embeds the term “perennial seller” within the popular vernacular to join (or replace) terms like “smash hit” and “viral sensation”. I doubt it will though, until it gets sexier.
August 12, 2017
I have been working in publishing for over three decades and have become a little jaded when someone wants to explain the book business, especially when giving advice on how to be successful at it. And so I was surprised when I found myself nodding vigorously with everything Ryan Holiday says in PERENNIAL SELLER, from how to conceive of the project to the role of the editor to how to think about and do marketing for the project. I won't summarize his main points since there are so many, but I will say this: I will recommend this book to everyone (especially my authors)! I suspect it will indeed become a perennial seller, as it should.
May 27, 2020
How has it taken me so long to read this? Ryan Holiday’s ‘The Obstacle Is The Way’ has become my bible on how to approach life. I didn’t think he’d be able to produce another book that so shook me to my core, but wow. He teeters on being contradictory every now and then, but overall this was extremely inspiring with lots of practical advice.
September 25, 2017
Get These Insights about How to Make a Book Which is Different
Every day thousands of new books enter the market. Which books become continual sellers? Bestselling author Ryan Holiday has studied these details with his own books and with other books. PERENNIAL SELLER is loaded with the details for every author or would-be author to read. Ryan has a keen sense of what it takes to create an excellent book and each of his sections includes gems of information for the writer.
While many writers believe their key failure is in the marketing areas, Ryan writes in the opening pages, “Promotion is not how things are made great—only how they are heard about. Which is why this book will not start with marketing, but with the mindset and effort that must go into the creative process—the most important part of creating a perennial seller.” (Page 19)
Also for those writers who believe they can quickly crank out such a book, Ryan cautions, “Creating something that lives—that can change the world and continue doing so for decades—requires not just a reverence for the craft and a respect for the medium, but real patience for the process itself. (Page 29-30)
No matter who you are working with to get the book out there, Ryan is realistic in PERENNIAL SELLER encouraging the writer to take their own responsibility rather than feel like they can delegate it to someone else. In the section on positioning, he writes a section called “You’re the CEO” saying, “If the first step in the process is coming to terms with the fact that no one is coming to save you—there’s no one to take this thing off your hands and champion it the rest of the way home—then the second is realizing that the person who is going to need to step up is you.” (Page 67)
Whether you are brand new to publishing or a seasoned writer with multiple bestsellers, you will gain insights reading PERENNIAL SELLER. I found the book engaging and valuable—in fact, maybe a book that I will read multiple times (unusual for me). I highly recommend this title.
Every day thousands of new books enter the market. Which books become continual sellers? Bestselling author Ryan Holiday has studied these details with his own books and with other books. PERENNIAL SELLER is loaded with the details for every author or would-be author to read. Ryan has a keen sense of what it takes to create an excellent book and each of his sections includes gems of information for the writer.
While many writers believe their key failure is in the marketing areas, Ryan writes in the opening pages, “Promotion is not how things are made great—only how they are heard about. Which is why this book will not start with marketing, but with the mindset and effort that must go into the creative process—the most important part of creating a perennial seller.” (Page 19)
Also for those writers who believe they can quickly crank out such a book, Ryan cautions, “Creating something that lives—that can change the world and continue doing so for decades—requires not just a reverence for the craft and a respect for the medium, but real patience for the process itself. (Page 29-30)
No matter who you are working with to get the book out there, Ryan is realistic in PERENNIAL SELLER encouraging the writer to take their own responsibility rather than feel like they can delegate it to someone else. In the section on positioning, he writes a section called “You’re the CEO” saying, “If the first step in the process is coming to terms with the fact that no one is coming to save you—there’s no one to take this thing off your hands and champion it the rest of the way home—then the second is realizing that the person who is going to need to step up is you.” (Page 67)
Whether you are brand new to publishing or a seasoned writer with multiple bestsellers, you will gain insights reading PERENNIAL SELLER. I found the book engaging and valuable—in fact, maybe a book that I will read multiple times (unusual for me). I highly recommend this title.
March 22, 2018
I believe, quite strongly, that Perennial Seller wil not be, in fact, a Perennial Seller.
I am a big fan of Ryan Holiday's work, and enjoyed all his other books, most notably his work on Stoicism; Ego is the Enemy and The Obstacle is the Way. This book felt a whole different level of quality. In sheer defiance of his own advice in this very book, the writing felt rushed and without substance. Creation for the sake of creation.
The entire time while reading this I imagined a Holiday pushed by publicists, trying to reach the prior agreed number of pages. Gone are the insightful stories and quotes. Instead it comes across preachy and pedantic.
I hope this book was only what I believe it was; a forced attempt at another marketing book he had to squeeze out for publicity reasons. I hope that he goes back to focusing more on writing stories he truly cares about.
I am a big fan of Ryan Holiday's work, and enjoyed all his other books, most notably his work on Stoicism; Ego is the Enemy and The Obstacle is the Way. This book felt a whole different level of quality. In sheer defiance of his own advice in this very book, the writing felt rushed and without substance. Creation for the sake of creation.
The entire time while reading this I imagined a Holiday pushed by publicists, trying to reach the prior agreed number of pages. Gone are the insightful stories and quotes. Instead it comes across preachy and pedantic.
I hope this book was only what I believe it was; a forced attempt at another marketing book he had to squeeze out for publicity reasons. I hope that he goes back to focusing more on writing stories he truly cares about.
August 9, 2017
It's fine. I enjoy Ryan's storytelling / style and like his approach in general. I feel that's where it remains though, being very general even though the book is filled with examples and stories.
I'm missing something, and as holiday quotes Neil gaiman, your reader is most often right if he feels a work lacks something. I wouldn't really recommend this book to be honest even though it's all right. I wouldn't know what to recommend it for.
I'm missing something, and as holiday quotes Neil gaiman, your reader is most often right if he feels a work lacks something. I wouldn't really recommend this book to be honest even though it's all right. I wouldn't know what to recommend it for.
January 3, 2018
Loved this book. This review is from my blog, which has better formatting and links (davidwogahn.com)
I like the idea of publishing a book that becomes a classic. A book that once bought, is not resold. A book recommended by experts—the people who could have written a book just like it, but haven’t. It sells, year after year. There is no real competition because it’s considered one-of-a-kind.
Trouble is, how do you create such a book? Or any classic for that matter?
Ryan Holiday has taken a shot at breaking down the process in his latest book, The Perennial Seller. He illustrates his points using examples from music (Iron Maiden and Lady Gaga) and restaurants (The Original Pantry and Clifton’s), but mostly it’s about books. Like the indie-published Worms Eat My Garbage by Mary Appelhof, a book that’s sold 165,000 copies since it was first published more than 35 years ago.
Here’s a breakdown of the four parts he says are necessary to achieving perennial seller status.
Part 1: The Creative process
From the Mindset to the Making to the Magic
“Literature is a wonderful profession because haste is no part of it. Whether a really good book is finished a year earlier or a year later makes no difference.” —Stefan Zweig
Holiday talks in The Creative Process about not waiting until the book is finished to figure out who your reader is. He calls it pre-work—the conceptualization, your motivations, the product’s fit with the market. That these “intangible factors matter a great deal. They cannot be skipped. They can’t be bolted on later.”
Holiday suggests 6 good reasons why we may feel the urge to create in the first place:
Because there is a truth that has gone unsaid for too long.
Because you’ve burned the bridges behind you.
Because your family depends on it.
Because it’s a once-in-a-lifetime moment.
Because it will help a lot of people.
Because the excitement you feel cannot be contained.
(It’s interesting to note that perennial sellers are not written for “fun”, “me”, profit, or to “brand me as a thought leader.”)
Part 2: Positioning
From Polishing to Perfecting to Packaging
I was seated next to a retired librarian at a recent party, and she asked what I did. When I told her I help authors self-publish, beginning after it has been edited, she exclaimed, “Oh, I didn’t know self-publishers used editors.” Ouch.
Editing is not the only focus of The Perennial Seller section on Positioning, but if a book is intended to stand the test of time, it’s a critical step in the process. And it isn’t just about ensuring the rules of English are followed, it’s about making sure the book’s content is positioned to serve its intended audience.
Holiday reminds us that readers “…need to be able to put things into categories so we know where they fit.” I call it writing-to-mission, not to be confused with writing-to-market.
He includes a useful exercise to help in this regard. Fill in the blanks of these two sentences:
This is a [insert] that does [insert].
This helps people [insert].
Do that in a sentence, paragraph, and a full page. (This is the same exercise our AuthorImprints clients go through when we gather information for distribution. It’s also not uncommon for this to be a first-time exercise.)
Part 3: Marketing
From Courting to Coverage, Pushing to Promotion
A perennial product requires perennial marketing.
At the end of the marketing chapter Holiday reminds us to define our product launch and start strong, but not at the expense of giving up or running out of money and energy for the continued push a perennial seller requires. Stay lean, and “keep going” as Brian Clark says.
He touches on the importance of humility, and a few pages later challenges us to use it to counteract a tendency to feel entitlement when marketing our book.
The trap that many of us fall into is believing that people are eagerly waiting for what we’ve created. The truth is that nobody cares. Holiday points out: “How could they? The don’t know what it is.” This is the job of marketing.
So how do you do that?
Many immediately think of advertising. But Holiday reminds us that “advertising can add fuel to the fire, but rarely is it sufficient to start one.”
Contacting influencers is also a common tactic. The key there is knowing who in your niche is approachable, which often means starting with the B-list. Chances are, if you make progress here, the A-list will find out.
What Holiday has found most successful is getting products into the hands of the right people—for free or nearly free. I was especially taken by the marketing tactic Steven Pressfield used to promote his self-published The Warrior Ethos. He paid to print 18,000 copies labeled as a special “Military Edition”, and gave them away to his contacts in the armed services. It was a massive success.
I’ll close with two sentences that sum up what I see as our struggle to promote our own books.
“You don’t get coverage for what you feel or what you believe. Only what you do with those beliefs or feelings.”
Part 4: Platform
From Fans to Friends and a Full-Fledged Career
If you are familiar with Holiday’s other books you know he is a fan of stoicism, which dates to 300BC. Early in part 4 he quotes Marcus Aurelius as challenging himself to be a “boxer, not a fencer.”
“A fencer, he said, has to bend down to pick up his weapon. A boxer’s weapon is a part of him—‘all he has to do is clench his fist.’”
The translation for us as self-publishers is that “fencers” must rely on advertising and paid promotion while a “boxer” owns their own platform. They never stop building it, and it’s always there when they needed it.
There’s a great story about how after a string of failures, the actor Kevin Hart built his following. I call this one’s addressable audience and it consists of email addresses, Twitter followers, Facebook friends—anyone you can reach on your own, without going through an intermediary.
When Sony Pictures got hacked in 2014 a string of emails was released showing how Hart was using his platform to negotiate a better deal with the studios. If they expected him to promote their movie, they needed to pay a marketing fee.
So if an addressable audience is the key, how do you go about building it? First, he shares wisdom from Tim Ferriss about attitude and approach:
Never dismiss anyone. “Treat everyone like they could put you on the front page of the New York Times.”
Play the long game. Aim for establishing long-term relationships, not just when you need someone’s help.
Focus on the “pre-VIPs.” This is the B-list I referred to earlier.
In terms of strategies, Holiday shares 7 that he uses:
Give something away for free as a bonus.
Create a gate. An example is giving away some content for free, but to get the rest you need to fork over an email.
Use pop-ups. This could be on your website, but also a message at the end of your book that encourages the reader to leave a review.
Do things by hand. Use a clip board to get emails when you speak. Ask people to email you if they want to join your list, then add them by hand. (As much as I hate doing this, I have to admit it works.)
Run a contest. Give something away in a drawing.
Do a swap. Email your list and ask people to join someone else’s. And vice versa.
Promise a service. If you are building a mailing list, what does being on your list do for people? Make it worth their while.
The last thing I’ll close with is some advice from well-known book publicist Barbara Hendricks. It’s advice she gives her A-list clients regarding platform building.
Put as much time and effort into promoting your book as you did in writing it. And Participate. Participate. Participate.
I like the idea of publishing a book that becomes a classic. A book that once bought, is not resold. A book recommended by experts—the people who could have written a book just like it, but haven’t. It sells, year after year. There is no real competition because it’s considered one-of-a-kind.
Trouble is, how do you create such a book? Or any classic for that matter?
Ryan Holiday has taken a shot at breaking down the process in his latest book, The Perennial Seller. He illustrates his points using examples from music (Iron Maiden and Lady Gaga) and restaurants (The Original Pantry and Clifton’s), but mostly it’s about books. Like the indie-published Worms Eat My Garbage by Mary Appelhof, a book that’s sold 165,000 copies since it was first published more than 35 years ago.
Here’s a breakdown of the four parts he says are necessary to achieving perennial seller status.
Part 1: The Creative process
From the Mindset to the Making to the Magic
“Literature is a wonderful profession because haste is no part of it. Whether a really good book is finished a year earlier or a year later makes no difference.” —Stefan Zweig
Holiday talks in The Creative Process about not waiting until the book is finished to figure out who your reader is. He calls it pre-work—the conceptualization, your motivations, the product’s fit with the market. That these “intangible factors matter a great deal. They cannot be skipped. They can’t be bolted on later.”
Holiday suggests 6 good reasons why we may feel the urge to create in the first place:
Because there is a truth that has gone unsaid for too long.
Because you’ve burned the bridges behind you.
Because your family depends on it.
Because it’s a once-in-a-lifetime moment.
Because it will help a lot of people.
Because the excitement you feel cannot be contained.
(It’s interesting to note that perennial sellers are not written for “fun”, “me”, profit, or to “brand me as a thought leader.”)
Part 2: Positioning
From Polishing to Perfecting to Packaging
I was seated next to a retired librarian at a recent party, and she asked what I did. When I told her I help authors self-publish, beginning after it has been edited, she exclaimed, “Oh, I didn’t know self-publishers used editors.” Ouch.
Editing is not the only focus of The Perennial Seller section on Positioning, but if a book is intended to stand the test of time, it’s a critical step in the process. And it isn’t just about ensuring the rules of English are followed, it’s about making sure the book’s content is positioned to serve its intended audience.
Holiday reminds us that readers “…need to be able to put things into categories so we know where they fit.” I call it writing-to-mission, not to be confused with writing-to-market.
He includes a useful exercise to help in this regard. Fill in the blanks of these two sentences:
This is a [insert] that does [insert].
This helps people [insert].
Do that in a sentence, paragraph, and a full page. (This is the same exercise our AuthorImprints clients go through when we gather information for distribution. It’s also not uncommon for this to be a first-time exercise.)
Part 3: Marketing
From Courting to Coverage, Pushing to Promotion
A perennial product requires perennial marketing.
At the end of the marketing chapter Holiday reminds us to define our product launch and start strong, but not at the expense of giving up or running out of money and energy for the continued push a perennial seller requires. Stay lean, and “keep going” as Brian Clark says.
He touches on the importance of humility, and a few pages later challenges us to use it to counteract a tendency to feel entitlement when marketing our book.
The trap that many of us fall into is believing that people are eagerly waiting for what we’ve created. The truth is that nobody cares. Holiday points out: “How could they? The don’t know what it is.” This is the job of marketing.
So how do you do that?
Many immediately think of advertising. But Holiday reminds us that “advertising can add fuel to the fire, but rarely is it sufficient to start one.”
Contacting influencers is also a common tactic. The key there is knowing who in your niche is approachable, which often means starting with the B-list. Chances are, if you make progress here, the A-list will find out.
What Holiday has found most successful is getting products into the hands of the right people—for free or nearly free. I was especially taken by the marketing tactic Steven Pressfield used to promote his self-published The Warrior Ethos. He paid to print 18,000 copies labeled as a special “Military Edition”, and gave them away to his contacts in the armed services. It was a massive success.
I’ll close with two sentences that sum up what I see as our struggle to promote our own books.
“You don’t get coverage for what you feel or what you believe. Only what you do with those beliefs or feelings.”
Part 4: Platform
From Fans to Friends and a Full-Fledged Career
If you are familiar with Holiday’s other books you know he is a fan of stoicism, which dates to 300BC. Early in part 4 he quotes Marcus Aurelius as challenging himself to be a “boxer, not a fencer.”
“A fencer, he said, has to bend down to pick up his weapon. A boxer’s weapon is a part of him—‘all he has to do is clench his fist.’”
The translation for us as self-publishers is that “fencers” must rely on advertising and paid promotion while a “boxer” owns their own platform. They never stop building it, and it’s always there when they needed it.
There’s a great story about how after a string of failures, the actor Kevin Hart built his following. I call this one’s addressable audience and it consists of email addresses, Twitter followers, Facebook friends—anyone you can reach on your own, without going through an intermediary.
When Sony Pictures got hacked in 2014 a string of emails was released showing how Hart was using his platform to negotiate a better deal with the studios. If they expected him to promote their movie, they needed to pay a marketing fee.
So if an addressable audience is the key, how do you go about building it? First, he shares wisdom from Tim Ferriss about attitude and approach:
Never dismiss anyone. “Treat everyone like they could put you on the front page of the New York Times.”
Play the long game. Aim for establishing long-term relationships, not just when you need someone’s help.
Focus on the “pre-VIPs.” This is the B-list I referred to earlier.
In terms of strategies, Holiday shares 7 that he uses:
Give something away for free as a bonus.
Create a gate. An example is giving away some content for free, but to get the rest you need to fork over an email.
Use pop-ups. This could be on your website, but also a message at the end of your book that encourages the reader to leave a review.
Do things by hand. Use a clip board to get emails when you speak. Ask people to email you if they want to join your list, then add them by hand. (As much as I hate doing this, I have to admit it works.)
Run a contest. Give something away in a drawing.
Do a swap. Email your list and ask people to join someone else’s. And vice versa.
Promise a service. If you are building a mailing list, what does being on your list do for people? Make it worth their while.
The last thing I’ll close with is some advice from well-known book publicist Barbara Hendricks. It’s advice she gives her A-list clients regarding platform building.
Put as much time and effort into promoting your book as you did in writing it. And Participate. Participate. Participate.
November 15, 2017
"They are the kind of art or products that we return to more than once, that we recommend to others, even if they're no longer trendy or brand-new. In this way, they are timeless, dependable resources and unsung moneymakers, paying like annuities to their owners. Like gold or land, they increase in value over time because they are always of value to someone, somewhere."
This is not a typical marketing tactic book that you're looking for. If you're looking for a marketing book or any tactic to sell your mediocre ideas or products to your customer, I advise you skip this book as there's no any deductive or easy formula guideline to help you promote your mediocre ideas.
This is a book to cultivate our mindset, discipline, and creativity to become a perennial seller. I remember I read a book, by Nassim Taleb in Antifragile he describes "If a book has been in print for forty years, I can expect it to be in print for another fifty years." They are the examples of a phenomenon known in economics as the Lindy Effect.
During this digital era and exponential growth of social media and the numerous contents buzz on the internet. The lifespan of the product consuming is getting shorter than ever. People's attention is getting constraint. And this makes me wonder how do we create something that can be able to last longer than those viral content on the internet or the product offering by those new ventures on the market.
The title of "Perennial Seller" attracted my attention and interest and it turns out I quite enjoy reading it. The book distinguishes into four parts, Part I Creative Process, Part II Positioning, Part III Marketing, at last Part IV Platform. (I personally think Part I is not even satisfied my curiosity and thirst to know more about thinking creatively, in my opinion, I rather prefer Todd Henry's Accidental Creative) But no doubt, this is a book that not only meant for business but anyone who is the creator. In the purest form, every entrepreneur, designer, journalist, producer, filmmaker, comedian, blogger, actor, investor-anyone doing any kind of creative work. Ryan advocates people to think like an artist, challenge ourselves and our work, to thrive further and to create successful masterpieces to the world, make an impact on the society, put a mark into the world. To become a perennial seller.
This is not a typical marketing tactic book that you're looking for. If you're looking for a marketing book or any tactic to sell your mediocre ideas or products to your customer, I advise you skip this book as there's no any deductive or easy formula guideline to help you promote your mediocre ideas.
This is a book to cultivate our mindset, discipline, and creativity to become a perennial seller. I remember I read a book, by Nassim Taleb in Antifragile he describes "If a book has been in print for forty years, I can expect it to be in print for another fifty years." They are the examples of a phenomenon known in economics as the Lindy Effect.
During this digital era and exponential growth of social media and the numerous contents buzz on the internet. The lifespan of the product consuming is getting shorter than ever. People's attention is getting constraint. And this makes me wonder how do we create something that can be able to last longer than those viral content on the internet or the product offering by those new ventures on the market.
The title of "Perennial Seller" attracted my attention and interest and it turns out I quite enjoy reading it. The book distinguishes into four parts, Part I Creative Process, Part II Positioning, Part III Marketing, at last Part IV Platform. (I personally think Part I is not even satisfied my curiosity and thirst to know more about thinking creatively, in my opinion, I rather prefer Todd Henry's Accidental Creative) But no doubt, this is a book that not only meant for business but anyone who is the creator. In the purest form, every entrepreneur, designer, journalist, producer, filmmaker, comedian, blogger, actor, investor-anyone doing any kind of creative work. Ryan advocates people to think like an artist, challenge ourselves and our work, to thrive further and to create successful masterpieces to the world, make an impact on the society, put a mark into the world. To become a perennial seller.
April 18, 2018
I have a complicated relationship with the work of former douchebag marketer turned full-time author Ryan Holiday, who to remind you first made his fame and fortune by being the driving force behind the infamous kiddie-porn ads that got American Apparel in so much trouble, as well as the entire career of professional rapist and human monster Tucker Max; and while I've ended up loving the more philosophical writing he's done since on topics like Stoicism, I've also been intensely disappointed to see him return to his douchebag roots through such recent projects as a hagiography of sociopath Peter Thiel, and in general I simply don't know how to feel about this genuinely talented writer who flip-flops with every other book between admirably earnest writing and the kind of writing that makes you want to angrily throw his book into a wood chipper.
Unlike most of his other books, 2017's Perennial Seller aims to be a straight-down-the-middle, dry factual guide to creating, marketing and promoting creative projects in a way that guarantees their popularity for years and decades to come, which is both the book's blessing and curse; for while all the advice given here is absolutely solid and helpful, it's also nothing more than the kind of basic advice you find in any book concerning these subjects, which is disappointing given the overhyped promises the book makes about this containing some sort of special magical lessons you won't learn elsewhere. Ultimately there's not a single difference between an author who follows all the advice in this book and has a novel that still flops after a few weeks, and an author who does the exact same steps but has a novel that continues selling for twenty years, other than pure dumb random luck; and while you will definitely increase your chances of your project being a long-term success if you follow all the advice here, it's disappointing to see Holiday not acknowledge, "Oh, and yeah, you also need a bunch of random dumb luck on your side too, or else none of this advice will matter even the tiniest bit." I will continue checking out the newest books by this engaging but often infuriating writer as he keeps releasing them; but while this particular title isn't going to do you any specific harm if you follow its advice, it's certainly not a guarantee that it's going to do you any good either.
Unlike most of his other books, 2017's Perennial Seller aims to be a straight-down-the-middle, dry factual guide to creating, marketing and promoting creative projects in a way that guarantees their popularity for years and decades to come, which is both the book's blessing and curse; for while all the advice given here is absolutely solid and helpful, it's also nothing more than the kind of basic advice you find in any book concerning these subjects, which is disappointing given the overhyped promises the book makes about this containing some sort of special magical lessons you won't learn elsewhere. Ultimately there's not a single difference between an author who follows all the advice in this book and has a novel that still flops after a few weeks, and an author who does the exact same steps but has a novel that continues selling for twenty years, other than pure dumb random luck; and while you will definitely increase your chances of your project being a long-term success if you follow all the advice here, it's disappointing to see Holiday not acknowledge, "Oh, and yeah, you also need a bunch of random dumb luck on your side too, or else none of this advice will matter even the tiniest bit." I will continue checking out the newest books by this engaging but often infuriating writer as he keeps releasing them; but while this particular title isn't going to do you any specific harm if you follow its advice, it's certainly not a guarantee that it's going to do you any good either.
June 15, 2018
This book is absolutely essential for writers, editors, marketers and publishers, seeking to think outside the box and make work that lasts.
June 13, 2020
This is a marketing book for writers. I work in marketing and I write, so I guess I can say this: This is a brilliant book, and every creative should read it, preferably before they are attempting to embark on a project. The marketing advice is phenomenal, and I would be surprised if I found a better marketing book for creatives packaged as well as this one is.
But it's not just advice. It's actually entertaining, and I loved the examples, the writing, and the evident passion in Holiday's words, almost extolling us to go do something. But as he says, it's not enough that you do something - what you do, how you do it, and how you talk about it, all make a difference.
I'm going to recommend it to everyone I know.
But it's not just advice. It's actually entertaining, and I loved the examples, the writing, and the evident passion in Holiday's words, almost extolling us to go do something. But as he says, it's not enough that you do something - what you do, how you do it, and how you talk about it, all make a difference.
I'm going to recommend it to everyone I know.
November 27, 2023
3.9/4 Stars 🌟
I certainly do feel prepared to do the work to be in it for the long haul.
Perennial Seller is very encouraging in both tone and methods stated.
It is broken into sections that give great advice and direction for every stage of your career. The Creative Process, Positioning(which was a major lesson for me that helped me understand having a direction before you even write a book and how you'd plan it or edit it better 😅), Marketing, and Platform. I love how every section is easy to revisit for each step of the process.
Ryan Holiday is giving sincere advice that is vision focused and vision building. I started out with a small dream and small thoughts before reading. As I read on, I noticed that my ideas were becoming bigger than me, and with hard work and doses of reality, this excited me. The idea of a slow start and growing a good audience- something beyond just selling perennially was drawn out of me: Doing my best and pushing myself beyond my limits to be better for the sake of reaching more people with my message. The right people.
I learned how to be an embodiment for my book.
The Marketing section had me a bit blinded by the imaginary lights, but it also helped shut up the voices in my head that limited me to always thinking small. I felt encouraged to believe in my ideas and keep making them greater and bigger. I used to be scared to dream. Even if some of these things never happen, at least I'm finally thinking outside the box.
As for the final section: The Platform, I felt like things fell out of place. Mostly everything that I loved about what was said became flat and in the case of networking, the heart of the book went cold. It was tricky to recover from that, but it was still full of good advice.
This is a book that feels like it will be important at every stage of my career. I'm sure that if I ever ask myself, "what next?" I'll probably grab Perennial Seller.
I certainly do feel prepared to do the work to be in it for the long haul.
Perennial Seller is very encouraging in both tone and methods stated.
It is broken into sections that give great advice and direction for every stage of your career. The Creative Process, Positioning(which was a major lesson for me that helped me understand having a direction before you even write a book and how you'd plan it or edit it better 😅), Marketing, and Platform. I love how every section is easy to revisit for each step of the process.
Ryan Holiday is giving sincere advice that is vision focused and vision building. I started out with a small dream and small thoughts before reading. As I read on, I noticed that my ideas were becoming bigger than me, and with hard work and doses of reality, this excited me. The idea of a slow start and growing a good audience- something beyond just selling perennially was drawn out of me: Doing my best and pushing myself beyond my limits to be better for the sake of reaching more people with my message. The right people.
I learned how to be an embodiment for my book.
The Marketing section had me a bit blinded by the imaginary lights, but it also helped shut up the voices in my head that limited me to always thinking small. I felt encouraged to believe in my ideas and keep making them greater and bigger. I used to be scared to dream. Even if some of these things never happen, at least I'm finally thinking outside the box.
As for the final section: The Platform, I felt like things fell out of place. Mostly everything that I loved about what was said became flat and in the case of networking, the heart of the book went cold. It was tricky to recover from that, but it was still full of good advice.
This is a book that feels like it will be important at every stage of my career. I'm sure that if I ever ask myself, "what next?" I'll probably grab Perennial Seller.
January 7, 2018
Was very much looking forward to reading this since it's release. Since I've finally gotten to it, I have to say it did not disappoint. Specifically as my goal is to become an entrepreneur I'll admit, not everything seemed practical at first, but in the end I realized how being an entrepreneur and writing a book have very similar processes and can sometimes take the same amount of time to create.
Conveniently, one of my businesses I am partnered with a creative and so this knowledge has become increasingly more valuable in both my own world and now this joint venture. If you are a creator of any type, this is a must read book and I'd recommend reading it before you get too much further in your creative project. Doing so will change your outlook on "the process," prepare you for the long road ahead, as well as increase your odds of winning big in whatever world you plan on entering.
Whether an author, actor, artist, or even an entrepreneur, the creativity is in you, and the goal is to effective share that with the world and this book is step one in getting there.
Conveniently, one of my businesses I am partnered with a creative and so this knowledge has become increasingly more valuable in both my own world and now this joint venture. If you are a creator of any type, this is a must read book and I'd recommend reading it before you get too much further in your creative project. Doing so will change your outlook on "the process," prepare you for the long road ahead, as well as increase your odds of winning big in whatever world you plan on entering.
Whether an author, actor, artist, or even an entrepreneur, the creativity is in you, and the goal is to effective share that with the world and this book is step one in getting there.
December 15, 2017
I have mixed feelings about this book. On the one hand, I learned a ton--especially as it's about marketing books and I've got one coming out here shortly (what I learned is that I'm doing everything wrong), but on the other hand, I feel like Holiday has a hammer and everything is a nail. He comes from marketing and it seems to him that that's the most important thing about the book. And having read his other books, it's clear he cares more about marketing than content. Or maybe I'm jealous because he knows how to write best-sellers? But I guess that's the thing--I don't think most authors are out there trying to write best-sellers. They are trying to write good histories or good literature that may or may not sell. Holiday thinks that's mostly bunk. But personally, some of the best books I've read have been not best sellers. Certainly Holiday's books are not among the better ones I've read.
May 4, 2018
Reading this is what I imagine descending into Dante’s hell must be like: not too bad at the start, but filled with squirm and demons towards the end. The question is a great one—what makes a perennial seller, sell? Initial chapters on the creative process dovetail well with great writers in the field: creating value and quality is hard, so crack down and do it. As it moves to positioning, it weakens, but only slightly, until the reader finds him/herself in the Marketing and Platform chapters, reading titles like “The Art Of Newsjacking” and “Marketing Can’t Stop. The Work Can’t top. The Hustle Can’t Stop. it Must Go On and On,” trying to avoid getting too demon filthy. I learned a good bit about product marketing, positioning, and the value of an editor. Recommended, but with reservations.
August 31, 2017
Didn't find anything that stuck and resonated with me. Sure, the tips are great, the examples well known but this could really have been reduced to a listicle than some +200 pages. Also, if you've read zero to one, heard some pod episodes of Tim ferriss and ever visited a growth hacking forum this book won't bring you anything new. Just a lot of goes with nothing that ties them together.
October 29, 2020
Perennial Seller will likely be Ryan Holiday's longest-lasting contribution to literary non-fiction well beyond his books on media and stoic philosophy. Sharing his expertise from years running creative agency Brasscheck helping authors, media companies, and startups but not wanting to give away the secret sauce Ryan weaves a contemporary look on creative art, marketing, and building platforms. The only criticism I have is the relative order of creating, marketing, and then building a platform. First-time artists, writers, and musicians would be better served to start a platform first then perfect the art to attract fans, and finally, market the product/service to go bigger.
September 20, 2017
Super interesting and highly readable.
(Note to self: Had to return to library; stopped reading at p147)
(Note to self: Had to return to library; stopped reading at p147)
August 27, 2017
In my 2013 personal annual review, I wrote that I wanted to build something that would last 100 years. I have made no progress over the last four years. It is such a large and intimidating goal that it seems impossible to begin. Where to start? What are the steps along the path? Ryan Holiday's "Perennial Seller" promises to help us "make something that can stand the test of time," and he delivers.
The book surprised me with its focus on the marketing side of things. A quarter of the book is about actually creating a masterpiece. The remainder of the book deals with the positioning, marketing, and platform strategy needed to make a work grow and endure. This part of the process had always been a mystery to me. I was one of those naive people who thought writers just handed off their works to their publishing companies ("kissing it up to God") and then their work was done.
Holiday insists that great creators see "every part of the process as their responsibility" and he relentlessly pushes us build a platform to connect with our fans. I had never thought about having a pre-built platform/network of people to help jumpstart the spread of my work. It's such an obvious idea that I can't believe I hadn't been doing it before. And to give us a clear and achievable target, Holiday quotes Kevin Kelly who says:
Having followed Holiday for years, I feel like he recycles the same guys (Churchill, Epictetus, Lincoln, Robert Greene, Aurelius) over and over again. He seems brilliant and widely read when you first encounter him, but repeated exposure threatens to expose the shallowness beneath the surface. I'm particularly concerned by his increasing promotion of James Altucher (one of his clients at Brass Check) who follows a similar but less well-executed formula for writing his own mediocre books. See my 2-star review of Altucher's "The Choose Yourself Guide to Wealth" for why I think this is a bad direction for Holiday.
Yet this book accomplishes what few other books have - it made me change my behavior. Taking Holiday's advice that, "the best time to have built your network was yesterday. The second best time is right now," I have started to set up my own "platform" for connecting with people who enjoy my book reviews. One day, when I write my great American novel, I'll be well-prepared to begin the next step of the journey: turning it into a perennial seller.
Full review and highlights at http://books.max-nova.com/perennial-seller/
The book surprised me with its focus on the marketing side of things. A quarter of the book is about actually creating a masterpiece. The remainder of the book deals with the positioning, marketing, and platform strategy needed to make a work grow and endure. This part of the process had always been a mystery to me. I was one of those naive people who thought writers just handed off their works to their publishing companies ("kissing it up to God") and then their work was done.
Holiday insists that great creators see "every part of the process as their responsibility" and he relentlessly pushes us build a platform to connect with our fans. I had never thought about having a pre-built platform/network of people to help jumpstart the spread of my work. It's such an obvious idea that I can't believe I hadn't been doing it before. And to give us a clear and achievable target, Holiday quotes Kevin Kelly who says:
Anyone producing works of art — needs to acquire only 1,000 True Fans to make a livingBeyond the importance of a platform strategy, I found Holiday's thoughts on the advertising interesting. While the initial launch is an important opportunity, he discounts the long-term importance of advertising:
If a product is going to sell forever, it must have strong word of mouth. It must drive its own adoption. Over the long haul, this is the only thing that lastsBut how to rate this book? It's certainly not great literature itself. Most of Holiday's recent work (including his "Obstacle is the Way" is written according to the same formula. Find a bunch of great quotes and then include a very thin veneer of analysis and add some link to modern situations.
Having followed Holiday for years, I feel like he recycles the same guys (Churchill, Epictetus, Lincoln, Robert Greene, Aurelius) over and over again. He seems brilliant and widely read when you first encounter him, but repeated exposure threatens to expose the shallowness beneath the surface. I'm particularly concerned by his increasing promotion of James Altucher (one of his clients at Brass Check) who follows a similar but less well-executed formula for writing his own mediocre books. See my 2-star review of Altucher's "The Choose Yourself Guide to Wealth" for why I think this is a bad direction for Holiday.
Yet this book accomplishes what few other books have - it made me change my behavior. Taking Holiday's advice that, "the best time to have built your network was yesterday. The second best time is right now," I have started to set up my own "platform" for connecting with people who enjoy my book reviews. One day, when I write my great American novel, I'll be well-prepared to begin the next step of the journey: turning it into a perennial seller.
Full review and highlights at http://books.max-nova.com/perennial-seller/
November 22, 2017
Perennial Seller by Ryan Holiday dissects the process of making and marketing classics. Drawing on examples ranging from To Kill a Mockingbird to Craigslist and Iron Maiden, Holiday distills the timeless principles shared by Winston Churchill, Lady Gaga, and Stefan Zweig (whose biography of Magellan I recommended in a previous edition of this newsletter). I have a shortlist of resources I share with writers, entrepreneurs, or creators who reach out asking for advice. Perennial Seller just shot to #1 on that list and I expect it to make good on its title.
August 2, 2017
Another master piece from Ryan Holiday.
Perennial Seller is full of practical, timeless advice. It's very well written, flows smoothly, and easy to digest.
No groundbreaking new strategies here, but his entire focus on shifting short-term gain to a long lasting focus dramatically changed one's viewpoint and definition of 'Value'.
He reinforced me to shift my short term to a much longer view. I found this to be compelling and much-needed advice, and is why I wholeheartedly recommend it to anyone who wants to make a difference.
Perennial Seller is full of practical, timeless advice. It's very well written, flows smoothly, and easy to digest.
No groundbreaking new strategies here, but his entire focus on shifting short-term gain to a long lasting focus dramatically changed one's viewpoint and definition of 'Value'.
He reinforced me to shift my short term to a much longer view. I found this to be compelling and much-needed advice, and is why I wholeheartedly recommend it to anyone who wants to make a difference.
July 23, 2017
An important read for anyone interested in creating something remarkable.
Plus, as an Entrepreneur who's described building businesses as "my art", I appreciate how he lumped creatives and entrepreneurs in the same basic category.
Plus, as an Entrepreneur who's described building businesses as "my art", I appreciate how he lumped creatives and entrepreneurs in the same basic category.
February 27, 2023
I read this I guess 11 years late. It’s not new and ground breaking stuff. But it’s a helluva a reminder of good principles of longevity-do great work, hustle your ass off, stay in the saddle and work to build a fan base, love the shit out of them, and take yourself seriously.
August 8, 2018
I became tired of Ryan's constant hyperbole and anecdotes. I wholeheartedly agree with Ryan's thesis but it was poorly executed.
December 15, 2023
Trung Quoc tai Asian Games 2023| LuongsonTV
HANGZHOU - Sau một loạt những trận chiến thiếu sức hút, bóng đá Trung Quốc nhận ra 1 thời cơ lý tưởng tại Asian Games 2023 Hangzhou để khởi đầu mới.
Giới thiệu về Asian Games 2023 Hangzhou
Ý nghĩa và quy mô của sự kiện
Giải bóng đá khởi đầu vào thứ Ba, bốn ngày trước lễ mở đầu Lương Sơn TV.
Đội bóng nam Trung Quốc đã vướng mắc tại Asian Games 2023. Cực điểm của họ là vào năm 1994, lúc đạt vị trí á quân. Diễn ra từ đấy, họ đã bị mẫu ở vòng 16 đội trong ba kỳ thi liên tiếp link trực tiếp bóng đá Luongson.
Theo luật lệ, đội bóng nam tại Asian Games 2023 Hangzhou sở hữu thể bao gồm các cầu thủ sinh vào hoặc sau ngày 1 tháng một năm 1999, mang ba cầu thủ quá tuổi được phép. Đối với đội bóng nữ, ko có dừng tuổi.
Địa điểm và thời gian diễn ra
2 mươi 2 đội bóng nam được chia thành sáu bảng. Hai đội đứng đầu mỗi bảng, cộng mang bốn đội xếp thứ ba sở hữu thành tích tốt nhất, sẽ tiến vào công đoạn dòng trực tiếp.
Dưới sự chỉ đạo của đào tạo viên trưởng Dejan Djurdjevic, phổ quát người trong danh sách 22 cầu thủ đã có thương hiệu quan trọng tại Chinese Super League. Các cầu thủ như Zhu Chenjie và Dai Weijun thường xuyên được triệu tập vào đội tuyển quốc gia.
Sự hấp dẫn và sự quan tâm của người mến mộ
đề cập bắt đầu từ Djurdjevic nhậm chức vào tháng hai, ông đã doanh nghiệp ba trại đào tạo. Sự hy vọng cao trong khoảng các CĐV nhà đã cứng cáp đặt sức ép lên huấn luyện viên người Serbia.
Xem thêm bài viết: Giải Đại hội Thể thao Châu Á 2023 - Việt Nam rơi vào bảng tử thần?
"Chúng tôi đã chuẩn bị cho Asian Games 2023 Hangzhou trong sáu tháng và mong chờ chiến dịch này. Chúng tôi sẵn sàng thi đấu bảy trận và để 22 cầu thủ lớn mạnh sự hòa hợp trên sân cỏ," Djurdjevic nhấn mạnh.
"Là một cầu thủ kỳ cựu, tôi hy vọng kinh nghiệm của mình sẽ viện trợ và xúc tiến những cầu thủ trẻ tiến xa hơn," Tan Long, một trong số các cầu thủ quá tuổi, cho biết.
Sự khó khăn và hy vọng tại Asian Games 2023 Hangzhou
Đội của Djurdjevic sẽ đối đầu có Ấn Độ vào thứ Ba trong trận mở màn bảng Sau đấy, họ sẽ đối đầu có Myanmar và Bangladesh. Mang 2 đội rút cục được xem là ít bắt nạt dọa hơn, trận đấu mở đầu với Ấn Độ, dưới sự dẫn dắt của đội trưởng 39 tuổi Sunil Chhetri, thực chất là cuộc đua ganh ngôi đầu bảng.
ví như Trung Quốc đứng đầu bảng, họ mang thể tiến vào tứ kết. Ngoài ra, họ với thể đối mặt mang 1 đối thủ đáng gờm là đội thắng bảng E, có nhẽ là Hàn Quốc.
Hàn Quốc, nhà quán quân hai kỳ Asian Games 2023 sắp nhất, đang hướng tới danh hiệu thứ ba, đặc biệt lúc thắng lợi tại Asian Games 2023 mang thể miễn HÀNG Châu - Sau một loạt màn trình diễn thiếu sức hấp dẫn, bóng đá Trung Quốc nhìn thấy một thời cơ xuất sắc tại Asian Games 2023 Hàng Châu để bắt đầu lại.
Giải bóng đá sẽ khởi đầu vào thứ Ba, bốn ngày trước lễ mở màn.
Đội bóng nam Trung Quốc đã vướng mắc tại Asian Games 2023. Cực điểm của họ là vào năm 1994, khi đạt vị trí á quân. Tính từ lúc ấy, họ đã bị mẫu ở vòng 16 trong ba kỳ thi gần nhất.
Theo quy định, đội bóng nam tại Asian Games 2023 Hàng Châu với thể bao gồm cầu thủ sinh vào hoặc sau ngày 1 tháng một năm 1999, có ba cầu thủ quá tuổi được phép. Đối có đội bóng nữ, ko sở hữu ngừng về tuổi.
hai mươi hai đội bóng nam sẽ được chia thành sáu bảng. Hai đội dẫn đầu mỗi bảng, cộng với bốn đội xếp thứ ba với thành tích tốt nhất, sẽ tiến vào quá trình mẫu trực tiếp.
Dưới sự dẫn dắt của đào tạo viên trưởng Dejan Djurdjevic, phổ quát cầu thủ trong đội hình 22 người đã có thương hiệu quan yếu tại Chinese Super League. Các cầu thủ như Zhu Chenjie và Dai Weijun thường xuyên được triệu tập vào đội tuyển đất nước.
Tiềm năng của các đội bóng trẻ
nói kể từ Djurdjevic được bổ dụng vào tháng hai, ông đã công ty ba trại tập huấn. Sự hy vọng rất to trong khoảng phía khán kém chất lượng trong nước chắc chắn đã đặt sức ép lên huấn luyện viên người Serbia.
"Chúng tôi đã chuẩn bị cho Asian Games 2023 Hàng Châu trong sáu tháng và trông đợi chiến dịch này. Chúng tôi sẵn sàng thi đấu bảy trận và để 22 cầu thủ lớn mạnh sự hòa hợp trên sân cỏ," Djurdjevic nhấn mạnh.
"Là 1 cầu thủ kỳ cựu, tôi kỳ vọng kinh nghiệm của mình sẽ trợ giúp và thúc đẩy những cầu thủ trẻ tiến xa hơn," Tan Long, 1 trong số ba cầu thủ quá tuổi, kể.
Đội của Djurdjevic sẽ đối đầu mang Ấn Độ vào thứ Ba trong trận khai mạc bảng Sau đó, họ sẽ đối đầu với Myanmar và Bangladesh. Với hai đội cuối cùng được coi là ít đáng sợ hơn, cuộc đấu khai mạc với Ấn Độ, dưới sự dẫn dắt của đội trưởng 39 tuổi Sunil Chhetri, bản tính là cuộc đua cho ngôi đầu bảng.
Kết luận
Tầm quan yếu của Asian Games 2023 Hangzhou đối với bóng đá Trung Quốc
nếu Trung Quốc đứng đầu bảng, họ với thể tiến vào tứ kết. Không những thế, họ mang thể đối mặt có 1 đối thủ đáng gờm là đội đầu bảng E, có lẽ là Hàn Quốc.
Hàn Quốc, nhà quán quân 2 kỳ Asian Games 2023 gần nhất, đang hướng tới danh hiệu thứ ba, đặc thù khi tiêu chí của họ là giành thắng lợi tại Asian Games 2023, điều này sẽ miễn trừ họ khỏi trách nhiệm thực hiện nghĩa vụ quân sự.
Ngoài Trung Quốc và Hàn Quốc, mang phổ biến đội bóng nam mạnh khác cũng tham dự Asian Games 2023 Hangzhou. Nhật Bản, Iran, Saudi Arabia và Uzbekistan đều là những ứng viên sáng giá cho ngôi quán quân. Các đội bóng này đã có sự thành công ở cấp độ châu lục và quốc tế và mang những cầu thủ hào kiệt.
Sự trông mong của người ngưỡng mộ
Asian Games 2023 Hangzhou cũng là thời cơ để các đội bóng trẻ biểu diễn và khẳng định nhân tài của mình. Sở hữu quyền tham dự không ngừng về tuổi, đội bóng nữ Trung Quốc cũng sẽ thi đấu để giành thắng lợi và chinh phục ngôi vô địch.
Asian Games 2023 Hangzhou là 1 sự kiện quan trọng trong lịch sử bóng đá Trung Quốc và là cơ hội để những đội bóng nam và nữ của nước này khẳng định điểm tốt của mình. Sự cạnh tranh sẽ rất khốc liệt và người hâm mộ có thể trông mong những trận chiến hấp dẫn và kịch tính trong thời gian diễn ra giải đấu này.
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HANGZHOU - Sau một loạt những trận chiến thiếu sức hút, bóng đá Trung Quốc nhận ra 1 thời cơ lý tưởng tại Asian Games 2023 Hangzhou để khởi đầu mới.
Giới thiệu về Asian Games 2023 Hangzhou
Ý nghĩa và quy mô của sự kiện
Giải bóng đá khởi đầu vào thứ Ba, bốn ngày trước lễ mở đầu Lương Sơn TV.
Đội bóng nam Trung Quốc đã vướng mắc tại Asian Games 2023. Cực điểm của họ là vào năm 1994, lúc đạt vị trí á quân. Diễn ra từ đấy, họ đã bị mẫu ở vòng 16 đội trong ba kỳ thi liên tiếp link trực tiếp bóng đá Luongson.
Theo luật lệ, đội bóng nam tại Asian Games 2023 Hangzhou sở hữu thể bao gồm các cầu thủ sinh vào hoặc sau ngày 1 tháng một năm 1999, mang ba cầu thủ quá tuổi được phép. Đối với đội bóng nữ, ko có dừng tuổi.
Địa điểm và thời gian diễn ra
2 mươi 2 đội bóng nam được chia thành sáu bảng. Hai đội đứng đầu mỗi bảng, cộng mang bốn đội xếp thứ ba sở hữu thành tích tốt nhất, sẽ tiến vào công đoạn dòng trực tiếp.
Dưới sự chỉ đạo của đào tạo viên trưởng Dejan Djurdjevic, phổ quát người trong danh sách 22 cầu thủ đã có thương hiệu quan trọng tại Chinese Super League. Các cầu thủ như Zhu Chenjie và Dai Weijun thường xuyên được triệu tập vào đội tuyển quốc gia.
Sự hấp dẫn và sự quan tâm của người mến mộ
đề cập bắt đầu từ Djurdjevic nhậm chức vào tháng hai, ông đã doanh nghiệp ba trại đào tạo. Sự hy vọng cao trong khoảng các CĐV nhà đã cứng cáp đặt sức ép lên huấn luyện viên người Serbia.
Xem thêm bài viết: Giải Đại hội Thể thao Châu Á 2023 - Việt Nam rơi vào bảng tử thần?
"Chúng tôi đã chuẩn bị cho Asian Games 2023 Hangzhou trong sáu tháng và mong chờ chiến dịch này. Chúng tôi sẵn sàng thi đấu bảy trận và để 22 cầu thủ lớn mạnh sự hòa hợp trên sân cỏ," Djurdjevic nhấn mạnh.
"Là một cầu thủ kỳ cựu, tôi hy vọng kinh nghiệm của mình sẽ viện trợ và xúc tiến những cầu thủ trẻ tiến xa hơn," Tan Long, một trong số các cầu thủ quá tuổi, cho biết.
Sự khó khăn và hy vọng tại Asian Games 2023 Hangzhou
Đội của Djurdjevic sẽ đối đầu có Ấn Độ vào thứ Ba trong trận mở màn bảng Sau đấy, họ sẽ đối đầu có Myanmar và Bangladesh. Mang 2 đội rút cục được xem là ít bắt nạt dọa hơn, trận đấu mở đầu với Ấn Độ, dưới sự dẫn dắt của đội trưởng 39 tuổi Sunil Chhetri, thực chất là cuộc đua ganh ngôi đầu bảng.
ví như Trung Quốc đứng đầu bảng, họ mang thể tiến vào tứ kết. Ngoài ra, họ với thể đối mặt mang 1 đối thủ đáng gờm là đội thắng bảng E, có nhẽ là Hàn Quốc.
Hàn Quốc, nhà quán quân hai kỳ Asian Games 2023 sắp nhất, đang hướng tới danh hiệu thứ ba, đặc biệt lúc thắng lợi tại Asian Games 2023 mang thể miễn HÀNG Châu - Sau một loạt màn trình diễn thiếu sức hấp dẫn, bóng đá Trung Quốc nhìn thấy một thời cơ xuất sắc tại Asian Games 2023 Hàng Châu để bắt đầu lại.
Giải bóng đá sẽ khởi đầu vào thứ Ba, bốn ngày trước lễ mở màn.
Đội bóng nam Trung Quốc đã vướng mắc tại Asian Games 2023. Cực điểm của họ là vào năm 1994, khi đạt vị trí á quân. Tính từ lúc ấy, họ đã bị mẫu ở vòng 16 trong ba kỳ thi gần nhất.
Theo quy định, đội bóng nam tại Asian Games 2023 Hàng Châu với thể bao gồm cầu thủ sinh vào hoặc sau ngày 1 tháng một năm 1999, có ba cầu thủ quá tuổi được phép. Đối có đội bóng nữ, ko sở hữu ngừng về tuổi.
hai mươi hai đội bóng nam sẽ được chia thành sáu bảng. Hai đội dẫn đầu mỗi bảng, cộng với bốn đội xếp thứ ba với thành tích tốt nhất, sẽ tiến vào quá trình mẫu trực tiếp.
Dưới sự dẫn dắt của đào tạo viên trưởng Dejan Djurdjevic, phổ quát cầu thủ trong đội hình 22 người đã có thương hiệu quan yếu tại Chinese Super League. Các cầu thủ như Zhu Chenjie và Dai Weijun thường xuyên được triệu tập vào đội tuyển đất nước.
Tiềm năng của các đội bóng trẻ
nói kể từ Djurdjevic được bổ dụng vào tháng hai, ông đã công ty ba trại tập huấn. Sự hy vọng rất to trong khoảng phía khán kém chất lượng trong nước chắc chắn đã đặt sức ép lên huấn luyện viên người Serbia.
"Chúng tôi đã chuẩn bị cho Asian Games 2023 Hàng Châu trong sáu tháng và trông đợi chiến dịch này. Chúng tôi sẵn sàng thi đấu bảy trận và để 22 cầu thủ lớn mạnh sự hòa hợp trên sân cỏ," Djurdjevic nhấn mạnh.
"Là 1 cầu thủ kỳ cựu, tôi kỳ vọng kinh nghiệm của mình sẽ trợ giúp và thúc đẩy những cầu thủ trẻ tiến xa hơn," Tan Long, 1 trong số ba cầu thủ quá tuổi, kể.
Đội của Djurdjevic sẽ đối đầu mang Ấn Độ vào thứ Ba trong trận khai mạc bảng Sau đó, họ sẽ đối đầu với Myanmar và Bangladesh. Với hai đội cuối cùng được coi là ít đáng sợ hơn, cuộc đấu khai mạc với Ấn Độ, dưới sự dẫn dắt của đội trưởng 39 tuổi Sunil Chhetri, bản tính là cuộc đua cho ngôi đầu bảng.
Kết luận
Tầm quan yếu của Asian Games 2023 Hangzhou đối với bóng đá Trung Quốc
nếu Trung Quốc đứng đầu bảng, họ với thể tiến vào tứ kết. Không những thế, họ mang thể đối mặt có 1 đối thủ đáng gờm là đội đầu bảng E, có lẽ là Hàn Quốc.
Hàn Quốc, nhà quán quân 2 kỳ Asian Games 2023 gần nhất, đang hướng tới danh hiệu thứ ba, đặc thù khi tiêu chí của họ là giành thắng lợi tại Asian Games 2023, điều này sẽ miễn trừ họ khỏi trách nhiệm thực hiện nghĩa vụ quân sự.
Ngoài Trung Quốc và Hàn Quốc, mang phổ biến đội bóng nam mạnh khác cũng tham dự Asian Games 2023 Hangzhou. Nhật Bản, Iran, Saudi Arabia và Uzbekistan đều là những ứng viên sáng giá cho ngôi quán quân. Các đội bóng này đã có sự thành công ở cấp độ châu lục và quốc tế và mang những cầu thủ hào kiệt.
Sự trông mong của người ngưỡng mộ
Asian Games 2023 Hangzhou cũng là thời cơ để các đội bóng trẻ biểu diễn và khẳng định nhân tài của mình. Sở hữu quyền tham dự không ngừng về tuổi, đội bóng nữ Trung Quốc cũng sẽ thi đấu để giành thắng lợi và chinh phục ngôi vô địch.
Asian Games 2023 Hangzhou là 1 sự kiện quan trọng trong lịch sử bóng đá Trung Quốc và là cơ hội để những đội bóng nam và nữ của nước này khẳng định điểm tốt của mình. Sự cạnh tranh sẽ rất khốc liệt và người hâm mộ có thể trông mong những trận chiến hấp dẫn và kịch tính trong thời gian diễn ra giải đấu này.
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November 26, 2024
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Also, I will say you *should* read this mostly if you're looking for "kick in the pants" motivation, not if you're looking to continue spinning like a ballerina in your creative bliss. I mean, I need a little of both, and that's why I picked this up, and it didn't TOTALLY crush my "mom says I'm special" dreams, but it absolutely works wonders for keeping your expectations realistic. Creating a perennial seller is hard work, and this book doesn't beat around the bush on that concept. On the bright side, it will help you discover how to give yourself the best shot at success, even if that does require quite a bit of heavy lifting.
In the end, definitely would recommend this to anyone in the marketing field or anyone aspiring to be an entrepreneur! It was a great read and definitely very useful to all the dreamers out there :)
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